Making piano tuners cringe since 1828!
If I was rich, I’d pay this guy to drum out the soundtrack of my life.
Took me a while to get around to it, but this is the best documentary, ever. So, so many memories that basically defined my entire youth. In the whole series, there is exactly one album I don’t own, and I’ve used every hip hop album and artist mentioned in a mixtape or live set at some point (oh the time I had before we had kids lol).
I kept buying CDs long after Napster and Audiogalaxy, mostly because of the huge difference in sound quality those days, but I’ve only averaged about one or two per year in the past 10 years.
And I still load the Chronic in between Kendrick and Gucci every once in a while, because it will always be the king of car beats.
Last week, we stumbled upon an audiophile’s den at the Kosa hotel that seemed to have been transported straight out of the sixties.
Disclaimer: The following is an approximate timeline; mistakes are inevitable. This is more of a way for me to record a collection of nodal points in case I want to revisit them in the future.
Methodology: YouTube embeds with sparse linkage to other sites. Why YouTube only? I’m inclined to track views on the embedded videos as well, because I have a hunch that they tie into something larger than Japanese Anime-Finnish Polka synergy.
1. In the Beginning, there was Stiff Bread
Finnish quartet Loituma releases “Ievan Polkka” (Eva’s Polka) in 1996. They seem to be as popular and relevant as you would expect a Finnish quartet to be at any time in human history. This sure is a catchy rendition of the song, though, which has murky (perhaps 17th century) but certainly ancient folk music roots, got very popular after WWII for a while, was forgotten for a couple decades, then became the most famous Finnish song in the world, in some form or another. This version is what started the whole resurgence:
Loituma members compose or arrange the tunes themselves, but often use improvisation. Lyrics come from many sources, including two main traditional sources: the Kalevala, the national epic of Finland; and the Kanteletar (source).
Many people refer to the lyrics of this song and the subsequent ones listed below as “scat,” which is an instantly understandable term even though the common definition is “improvised jazz singing in which the voice is used in imitation of an instrument.” From the song’s Wikipedia entry:
The song is sung in very heavy Eastern Savonian dialects spoken in North Karelia. It is fully understandable to speakers of standard Finnish.
2. The Orihime Catalyst
Orihime Inoue is a female character from the famous manga/anime series, Bleach. That’s as deep as I want to go into that, partially because even saying that word makes me wonder if I’ll ever hear an album as good as Nirvana Unplugged in New York again in my life.
In the spring of 2006, a Flash animation consisting of a few Orihime anime frames (with her holding a leek/spring onion) combined with audio from the scat section of Ievan Polkka was uploaded to Russian LiveJournal and went viral:
Leekspin AKA Loituma Girl was born. A tidal wave of covers, remixes, outright thievery, commercial usage, European ringtones, and sometimes imaginative derivatives would follow. A pretty good listing of these is here.
3. Loituma Sells Out
In 2007, Loituma capitalized on their winnings from the intarwebs polka scat lottery. Like, big time. In Europe, their song was used as a ringtone by major telecoms (remember paid ringtones?) and called Holly Dolly:
They also sold out to a Dutch Energy Company and let the corporate monkeys beatbox all over the track:
But the most heinous crime against their own song was undoubtedly this, from 2007:
This seems as good a place as any to mention the existence of a Hitler-parody version of this song on YouTube which is slightly amusing (because Hitler was a whiny bitch, haha) and has been ganked many, many times by different uploaders there over the years (I counted at least 10 instances of the same jacked-with-Chinese-subs vid), but that I won’t post here because, well, fuck him.
From this point on, we never really see the band Loituma again except in historical accounts because:
4. Enter the Nippon
In this section, I will attempt to briefly explain how Ievan Polkka became an icon of Japanese culture (at first, online only) and how it remains relevant in modern day Japan. The key word in the previous sentence is “briefly,” because we are in otaku territory here, and just want to see the scenery whizzing by as we pass through.
As Loituma was selling out in Europe, shit was getting real for their song in Japan. As predicted by the great visionary William Gibson, the way was being paved for virtual idoru (idol) / human interaction. Ievan Polka parodies, reworks, and derivative media was being shared on Japanese boards like 2chan and video sharing sites like NicoNico Douga in huge numbers.
Enter Vocaloid. Vocaloid was a voice synthesis technology and software partially backed by Yamaha. In August of 2007, they released “Hatsune Miku CV01 Vocaloid2.” Miku was advertised as a “Virtual Pop Star” instead of just a vocal synthesizer, using the sweet voice and cute character as major hooks. The software was tuned to create J-pop songs, but creating songs from other genres was possible (source).
This was created with Hatsune Miku and uploaded to Niconico Douga:
This single creation spawned thousands of derivative or related works on Niconico Douga alone, and from 2008, crossed over to YouTube and other western video sharing sites.
An interesting thing to note is that the character in the video above is actually fan art based on the official character, Hatsune Miku. The fan art character was named “Hachune Miku” and became the first fan art officially recognized by her corporate overlords, Crypton Future Media (seriously!). If you’re interested in reading about Miku’s more recent accomplishments (working with Pharrell and Lady Gaga!), check out this article from 2016: Meet Hatsune Miku, the Japanese Pop Star Hologram
You should scan through one of her concerts in HD, just to see how many people will go see a hologram that isn’t Tupac. The technology gets better every year, but here’s a good one from last year: Magical Mirai 2016
So what’s been happening lately with the song?
Well, the corporate Vevo overlords released (re-released?) an official video for it in 2015.
And the possibly most annoying version ever was released the same year, a nightstep (dubstep + nightcore) version (seriously, don’t click this unless you like 120bpm Minecraft video music):
In March of this year (2017), a young member from a Japanese idol girl group, Erika Ikuta, took the song back to its roots.
Oh, the irony… An actual idoru in TV reality following the work of a virtual idoru in the real world by restoring the human touches the song lost while in the ether!
And finally, do these jingles for a Japanese real estate company sound familiar?
Research Note: Sans Serif lower case L vs Capital i (l vs. I)
“Ievan Polkka” is often misspelled with an “L” in place of the leading “I” presumably because of the similarity between these two letters in an (often displayed by default) sans serif font. Therefore, Googling for “Levan Polkka” returns completely different results, some of which are real gems:
Other popular misspellings/variations include “Ievas Polkka,” “Leekgirl Song,” and “Leekspin Song.”
As an added bonus, I think this Finnish folk metal band really took the song back home in style:
Or maybe this song now belongs to the whole world:
NO MIKUS WERE HARMED IN THE WRITING OF THIS BLOGPOST.
Tracing a sample from Thai funk –> modern hip hop:
I saw this particular song filter through Soundcloud and various Thai funk compendiums over the past five years; what a great riff!
Original (Onuma Singsiri – Mae Kha Somtam):
July 2017 Usage (Action Bronson – The Chairman’s Intent):
On a related note, it’s great to see the resurgence of Ajarn Chawiwan in Thailand again – I’ve seen her a lot on TV recently. I have footage from when she performed at our wedding oh so long ago. I want to show it to her sometime soon.
I can just watch this again and again:
Can’t figure out which one I love more:
I love that OF COURSE someone knows which guitar he used (some kind of strat) to record my fav song of his, Once Upon a Time in the West: Gear on album Communiqué
UPDATE: MY NEW FAVORITE MUSIC VIDEO (note: you must change settings to play at 1.25x speed)
Now it would just be irresponsible if I didn’t link my favorite guitar documentary ever, but I recommend buying it in HD because this version is very low quality. Here it is, tho:
There’s a couple more vids of her on this channel: https://www.youtube.com/channel/UC2zRZDJzutCqwbeF-R_W4cA
She has a Patreon account where she’s uploading more songs now: https://www.patreon.com/AshleyStevenson
Both of these bands remind me of Japan. Haven’t listened to either of them much since then, except for introducing the kids to them.
It haunted me during the most memorable scene of the latest Mr. Robot (which is getting too high on itself, or eating its own tail or something).
Now I totally want to play this whole album while preparing Christmas dinner for some reason.
Meanwhile, it seems Billie Joe and crew are still making music? https://twitter.com/BJAofficial/status/759967717243834368
Top notch performance by classically trained pianist and DJ extraordinaire, Enferno. He has a launchpad to launch his launchpad on the launchpad, if you know what I mean. At my peak, which was very short (and approximately 600 years ago), the best I could do was two Discmans, a dual tape deck, and two PS1s. This guy is so fucking awesome.
If you liked his song and have a love for Hova like I do, you also need to see this one: F*ckwithmeyouknowigotit
Defining song of my youth, dammit.
YouTube hath provided ultimate percussion manna from the ether. I now present Kitchen Banger vs. Pipe Guy:
I can’t figure which tribute I like more (although I have a soft spot for Animal):