I blame it all on Portishead

I placed a down payment on a theremin yesterday. I have no idea what it will end up looking like, but this is for the best, I feel. For this particular instrument (which I have never played before BTW), not knowing how it will turn out creates a certain excitement I could never attain by simply ordering online or through a music catalog. This was only made possible by hiring an otaku to do the job. Kasama-san is a nice guy, a most skilled bassist, Taro’s business partner (they sell antique condensers, specialized mic shields, and other maniac music shit), and one of the most functional denki-otakus I have ever met.
When I found a loose circuit board connection to input RCA connector jacks inside my 500 watt amp, I used what tricks I could to keep it working temporarily. Unwilling to be without decent sound in my car for even a short time, I never even considered having it fixed at a professional shop since they generally take forever just to tell you (approximately) how badly you will get raped for repairs. I looked around for a decent replacement instead, but couldn’t find a good deal before the connection got a lot worse and basically made my amp unuseable. So I turned to Kasama-san, who I knew at the time as a tinkerer of guitar amps, and he replaced the part I needed on the board for a pittance – so I tipped him well. The skills he possesses are very special in our modern world of cheap throwaway electronics. Like some of the engineers at work, he can read the circuits on a PCB like a roadmap, and tell you where you can find shortcuts, bypasses, and hidden paths, among other things. This is a very valuable skill.
Anyways. Theremin of unknown specification and design will be mine in a couple of weeks, and I take great comfort in knowing that the creator has spent countless hours worrying about each subcomponent, optimizing it as a whole system, and tweaking it to perfection with the cold twisted love of electronica.