Last night I got to see the Beastie Boys for free thanks to Taro, who came through in the clutch- thanks bro. It was an awesome show- they played a mix of music mostly off of Check Your Head, Ill Communication, and To the 5 Boroughs.
The last time I saw the Beastie Boys was at the Forum (in L.A.), back in High School. I noticed some differences right away. This time they played a longer set, Mix Master Mike was a crowd favorite in Osaka and especially on top of his game, and this time we were treated to some instrumentals with a fully fleshed out band.
Things that I remember, and thoughts on the show:
Some people were rocking out harder to the opening act (Le Tigre- no comment) than to the Beastie Boys.
The crowd was very quiet, and didn’t make enough noise for an encore, but luckily they came back out anyways.
The Beastie Boys have one of those camera arrays that take a picture from multiple angles all at the same instant, take jump pictures, and display them in real time.
To take bootleg photos, it is best to turn OFF the lcd on your digicam BEFORE the concert.
In So. Cal, everyone stands at a B Boys show. In Osaka, most people sit down, except for the two spastic high schoolers in front of yours truly.
Osaka Beastie Boys groupies fall into the “has a nice personality” category.
The guy who plays the latin percussion is “Bunny” from Sabotage.
People were actually leaving during the middle of the show, while the Beasties were playing, and they left at the very end during the middle of their last song, Sabotage. WTF is that all about?
There were a lot of old people in the crowd. Nursing home age. Right on, but strange nonetheless.
Few people seemed to be into the instrumentals.
Osaka-jo Hall was not sold out, not by a long shot. Yes, it was Wednesday, but back in So Cal, tickets would have sold out in 10 minutes.
It was cool to listen to them banter on stage and know that very few of us understood what was going on.
Why do they never play anything off of License to Ill?
Snake getting ready to bust in like Cochise.
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